jonas vansteenkiste

portfolio site

Rodenbach Award

Opstelling in Rodenbach Brouwerij te Roeselare.(September, 2008)

Geselecteerde werken: "Transit", "Breath", "Us", "Gorecki"

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Links

BAM
fotorama
hopstreet
iamiam
kask
Lisa appleby Londen version of "Us"
M HKA
Mediakunst
paradise lost paradise
tramzwart
Verbeke Foundation
wiels

werken

► 2012 (3)
- ► februari (2)
  - expo
  - Font ( in samenwerking met Veerle Michiels)
- ► januari (1)
  - Housetrap drawings

► 2011 (2)
- ► juni (1)
  - "The way you once left me"
- ► maart (1)
  - Structure verte & dune noir

► 2010 (6)
- ► december (1)
  - Chapel
- ► oktober (1)
  - a space of confinement
- ► april (2)
  - Sensitive skin
  - House of Leaves
- ► maart (1)
  - I'll be your mirror
- ► januari (1)
  - THE SWAN SONG OF PARKING PALACE

▼ 2009 (8)
- ► november (2)
  - Time is a book about a fading place
  - Immersion Atelier 7
- ► juni (2)
  - The locked room
  - Domestic Cave 1
- ► april (2)
  - La Stanza, a false memory of a city
  - A dollhouse for Rachel Whiteread
- ► maart (1)
  - heterotopic drawing 1
- ▼ februari (1)
  - Rodenbach Award

► 2008 (8)
- ► juli (1)
  - "Gorecki's room"
- ► april (1)
  - "Gorecki" 2008
- ► maart (6)

bio

jonas vansteenkiste: Hulste, West vlaanderen, Belgium; The works of the young artist Jonas Vansteenkiste are defined by spaces. He uses several media, i.e. installations, video, sculpture, photos and drawings. He refers and uses – both in a physical and psychological way – architectural elements. He builds up spaces, or creates situations which can best be defined as “mental spaces”. Keeping this in mind, Jonas defines and creates his works. These works depart from a personal experience where the anecdotal is moved to the background where it is further purified into a “basso continuo” used to build upon. He approaches the medium “installation” as one of reference and experience. He thus places the spectator in an active role: he invites him to step into the work and situate himself – both mentally and physically – in it. The artist also leaves room for the spectator to add his own personal experiences in these installations, which are not only the “relevant” place for the artist, but also for the spectator.

Mijn volledige profiel weergeven

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